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AIR Bassline delivers the iconic sound of classic mono synthesizers infused with modern enhancements. This monophonic synthesizer features an advanced vacuum tube synthesis engine that captures the warm, crunchy character of vintage analog gear, refined through AIR’s evolved tube circuit modeling technology. It offers a flexible oscillator with continuously variable waveshapes, including octave saw, saw, square, and sine, alongside sub and fifth oscillators for rich, layered tones. Multiple filters, envelopes, and built-in audio effects empower deep exploration of subtractive synthesis, enabling recreation of the timeless analog sounds from the 70s and 80s with a fresh perspective.
Equipped with award-winning audio effects, AIR Bassline enhances your sound design with precision and creativity. Its integrated effects include Chorus, Delay, Reverb, Compressor, and the innovative Hype EQ, each offering dedicated controls for tailored adjustments. The Hype EQ allows quick enhancement of low and high frequencies, adding depth to basses and sparkle to pads or percussive elements. Two built-in distortion algorithms expand tonal possibilities, ensuring your patches can be finely shaped with warmth and presence. This comprehensive effects suite has been trusted by top audio professionals worldwide, featuring in many high-profile music, film, and game projects.
AIR Bassline comes with over 150 expertly crafted presets, ranging from lush pads and powerful basses to sharp plucks and expressive leads, facilitating immediate creative inspiration. The plugin supports AU, VST, and AAX formats, making it compatible with popular digital audio workstations. Additionally, a Desktop Player app allows seamless integration with MIDI controllers via USB or Bluetooth, providing an intuitive interface optimized for live performance and studio use. Originally designed for Akai MPC and Force hardware, Bassline now offers flexible cross-platform availability, enabling producers to bring their signature analog-inspired sounds wherever they go.
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